IRENE CAESAR – BIOGRAPHY
RuTube channel: http://rutube.ru/video/person/641109/
Irene Caesar (Russian: Ирина Цезарь) (born September 10, 1963) is a Russian-American philosopher, scientist and conceptual artist; Colonel of the International Irkutsk Cossask (Kazak) Military; Ataman of the Cossack / Kazak Embassy in the US, awarded the Medal “For Faith and Service to Russia” (2015); President at Wave Genome LLC (from 2010); CEO at Matrix City LLC (from 2012); Founder and Director of the Scythian Museum (2015); a contributing Editor to the Socialist Factor Magazine (Lucknow and London) published in its every issue; co-founder of the Kazak-TV (cassak.tv) Information Agency (2015); published in every Yearly Issue of Maintenant, A Journal for Contemporary DADA Writing and Art by Three Rooms Press in New York. Dr. Irene Caesar was the first scientist who created the theory of wave optics in chromosomes and the new technology of laser bioholography of transferring the bioholograms of cells (including the embryonic stem cell) and pharmaceutical drugs, recorded by laser, into the bioelectronic drugs and electrets. Dr. Caesar was a first entrepreneur, who commercially offered the remote management of biosystems via laser signal (2013), the bioelectronic drugs as digitized bioholograms recorded by laser, and chips / psi-generators structured by laser with digitized bioholograms, ahead of Google R&D program for the bioelectronic drugs for 7 years of successful global sales and more than 50 years beyond R&D. Irene Caesar was the first artist who applied laser of the Institute of National Security in Russia to encode her art images with the digitized holograms (2013) via lasers, and who for the first time in the world, had transmitted the digitized hologram remotely via the laser as a piece of art (2014).
Caesar’s Idée fixe is the “Holographic Principle”, as she calls it – the idea that the Universe is entirely in its every Matrix Point. She demonstrates with her life the same principle, freely moving from science to art to philosophy to alternative history to alternative geopolitics. Caesar’s alternative geopolitical expertise was highly evaluated by Henry Makow, known of the alternative geopolitical expertise worldwide, who wrote on Irene Caesar in his article “Eloquent New Voice sounds Alarm”, on October 2015: “Irene Caesar, 52, is a brilliant Russian philosopher and artist who has no illusions about the Cabalist Jewish and Masonic agenda, and is not afraid to state it”: http://henrymakow.com/2015/10/eloquent-new-voice-sounds-alarm.html
Caesar’s Art was highly evaluated by Arthur Danto, the most famous Patriarch of Anglo-American Philosophy and Art Criticism who in 2010, right before he died, pointed to her as the major rising star of the world art:
Caesar’s science research and development was highly assessed by the Chinese government who made her the chair of the Neural Engineering Section at the World Congress of Biomedical Engineering in Xi’an, China, in November 2017.
For her resistance to the emergence of Fascism / Neonazism in Ukraine, Irene Caesar was included by the Bandera Neonazis of Ukraine into the Death List of “Kremlin Trolls” of 300 people on the seventeenth place.
Caesar was the one who declassified the most important and most secret DARPA R&D program for creating “Superman-Biorobot / Super-soldier” as the DNA computer by DE Shaw Group in June 2009, which was such an embarrassment for DARPA and CIA that they launched the Anna Chapman case.
Caesar was the only one who released that Barack Obama is in reality is one and only heir of the one and only Solomonic Dynasty of Ethiopia.
Caesar revealed to the Royal House of Saudi Arabia that Prophet Mohammed was Russian by blood, R1a1 that brought the King of Saudi Arabia Salman to Moscow in October 2017.
Caesar was the only one who said that Edward Snowden is in reality an NSA shill who was sent to Moscow to plant in the idea of “Tall Nordic Aliens” in the most important and most secret agenda of NSA / NASA of fake Alien Invasion for gaining global domination. This played a significant role in the failure of Snowden’s mission, and, in general, in the failure of the entire most-secret NSA / NASA program of fake alien invasion as the holographic show on smart dust with the application of psychotronic weapons.
Caesar was the first one who said that ISIS decapitations were in reality were produced by SITE (Mossad entity in Washington) and shot in the California studio by Adam Godahn, the Offspring of the Anti-defamation League, against the green screen, because videos demonstrate white helos around the contours of people in the video. Caesar’s article on this had literally stopped the entire production of fake ISIS videos.
Caesar was the only one who said that Boeing itself, together with Mossad, had downed the Russian plane over Sinai, on its way from Sharm el-Sheikh, Egypt, to St. Petersburg, on October 31, 2015, in order to test a new Israeli Laser Weapon “IRON BEAM”, which burns air in front of the plane, and it falls into the air hole. Mossad has blown a bomb on the Russian plane to cover its test of Laser weapon.
Caesar was born in St. Petersburg, Russia in 1963. Her parents were a psychology professor and a history teacher, and she grew up amongst Russian intellectuals. In 1985, Caesar received a Bachelor degree in philosophy from St. Petersburg University.
She also attended the Peterhof Art School, and was influenced by the teaching of Mark Tumin on Constructivism and Suprematism. By the end of the 1980s, Caesar was well known as a philosopher and an artist in Russia and in 1994 she immigrated to the United States at the invitation of the Chuck Levitan Gallery in New York City with the status of extraordinary ability.
In 2009, Caesar graduated with a doctorate in philosophy from the CUNY Graduate Center. She lives in New York City and Moscow. In her interview to Kristina Kusmina “Irene Caesar: Art as Shock Therapy” for the London based “Russian Mind”, Caesar said: “I am like a bird flying here and there. But I fly in reverse to normal birds; when it is cold, i am going to the north, and when it is warm – to the south – I am a fighter.”
In 2010 Caesar started her project “Wave Genome”, defined by her as the Social Leap via the Quantum Leap. In 2012 Caesar became a co-founder of the Consortium “Matrix City” with the Institute for National Security in Moscow for building cities as integrated information-wave matrices with the application of Russian break-through technologies of the Quantum Leap, which she made public at her public lecture “Matrix City” at the Harriman Institute of the Columbia University in September 2012.
In May 2013 Caesar founded the project of the Quantum Biointernet for the remote control over biosystems, which she presented, in May 2013 in London, to Andrew Charalambus, the Prior of the Byzantine Templars, at his personal invitation, for the joint implementation
Dr. Irene Caesar has created the theory and new applications of LASER POLARIZED BIOHOLOGRAPHY AS A SCALAR WAVE DIFFRACTION GRATING OF THE GEOMETRICAL OPTICS IN CHROMOSOMES. Company WAVE GENOME LLC founded by Dr. Irene Caesar is a proud pioneer of producing Wave Matrices / Bioholograms by Lasers for the local and remote management of biosystems and human condition. WAVE GENOME proceeded Google’s Bioelectronic Drugs R&D Program for 7 years of actual sales and 50 years beyond R&D.
This scientific study by Dr. Irene Caesar is aimed at the experimental verification of the theoretical hypothesis created by Dr. Irene Caesar in 2014 that Genome functions as Polarized Bioholography based on the shape of chromosomes for focusing the genetic information. This hypothesis lays the basis for the development of technologies for the Remote Quantum Biointernet, both the management of biosystems by a remote laser signal, and for the recording and transfer of drugs on electret and digital media.
This theory of Geometrical Optics of chromosomes was created by Dr. Irene Caesar on the basis of the Wave Crystals theory she created in the 1980s. According to this theory, in the Wave Crystals, the signals are reflected upon themselves in consequence of the negative shell of a wave crystal (due to the change in the spin of an integral torsion / torus), and this leads to the refraction of signals towards the zero center of the wave crystal as an optical focus.
Dr. Irene Caesar states: “Modern genetic engineering through cutting and pasting together the DNA fragments leads to genetic collapse. Since the universe is holographic, we can record and transmit only the holographic information, based on the Geometrical Optics of Chromosomes. The same gene is expressed in functional individuals by the metacentric chromosome, and in dysfunctional individuals – through the acrocentric chromosome. A chromosome is a lens that allows our cells to focus the necessary wave information during cell division, similar to a crystal (lens) in our eye. The metacentric chromosome is analogous to a well-centered and focused eye crystal, whereas the acrocentric chromosome is analogous to the myopic or farsighted eye. “(Irene Caesar, Ph.D.,” Remote Genetic Engineering as Bioholography Based upon the Shape of Chromosomes, DNA and RNA for Focusing the Genetic Information”, Speech and Article published in the Proceedings of the 8th World Congress on Genetics, BIT, November 13-15, 2017, Macau, China).
According to Dr. Irene Caesar, “The chromosome is a geometrical code and functions through refraction in a Wave Crystal, that is, in a nonlocal unique Biohologram or Wave Matrix that focuses genetic information unique to a given person through its unique interference / diffraction grating of a scalar (standing) wave.” (Irene Caesar, Ph.D., “Remote Management of Biosystems as Bioholography Based upon the Shape of Chromosomes for Focusing the Genetic Information”, Speech and Article published in the Proceedings of the 7th Annual World Congress on Molecular and Cellular Biology, BIT, April 25-27, 2017, Xi’an, China).
“Thus,” continues Dr. Caesar, “the chromosome is a structural / geometrical code or form that is holographic in nature, allowing the remote management of biosystems by means of Laser Polarized Holography” (Irene Caesar, Ph.D., “Remote Biosystem Management Based upon the Shape of Chromosomes as the Diffraction Grating for Focusing Genetic Information “, Speech and Article published in the Proceedings of the International Conference “Health 2.0 Asia “, sponsored by the Chinese Government, and with the participation of Nobel Laureate Professor Daniel Shechtman, November 9-10, 2016, Nanjing, China).
Dr. Caesar claims that “a hologram is not an image, but a special structural quality of a signal. According to the holographic principle, the Universe is entirely in its every matrix point. Dr. Caesar states that the Hologram contains an infinite number of waves, particles and fields. Therefore, according to her, the hologram cannot be “read” in terahertz, infrared or any other range. In August 2012, Dr. Irene Caesar formulated the implication of the Holographic Principle, which theoretically explains the possibility of remote control over biosystems. Dr. Caesar states that “if the universe is entirely in its every matrix point, then, each matrix point is not simply different from any other matrix point, but is unique. Thus, each wave matrix is both unique and nonlocal. Therefore, if we have two exact copies of the same unique non-local biohologram, we can transfer information remotely and instantaneously from one copy to another copy for the remote control over biosystems” (Irene Caesar, Ph.D., “Remote Management of Biosystems as Bioholography Based upon the Shape of Chromosomes for Focusing the Genetic Information “, Speech and Article published in the Proceedings of the 7th Annual World Congress on Molecular and Cellular Biology, BIT, April 25-27, 2017, Xi’an, China).
Dr. Irene Caesar has created the project of Quantum Biointernet in the Spring of 2013 and presented it, in May 2013 in London, to Andrew Charalambus, the Prior of the Byzantine Templars, at his personal invitation, for the joint implementation. The project consisted in the instantaneous transfer of the holographic information from one copy to another copy of a unique non-local Wave Matrix / Biohologram during the scanning of one of the copies by a Helium-Neon laser with internal mirrors. This transfer was proposed for the first time on the global market, ahead of all other researchers in this field, including P.P. Garyaev, who began offering a remote transfer only after Dr. Irene Caesar has made her project public.
Similarly, according to Dr. Caesar, the Holographic Principle explains the electret / dipole nature of the Biohologram: the Holographic Principle “means that each Biohologram has opposite poles, with each pole representing a change of the spin in an integral torsion (torus). The change in the spin causes each linear external signal to be reflected upon itself inside the Hologram, so that a scalar / standing wave emerges when the peak of the forward-going wave is nullified by a through of the same wave when it is reflected upon itself. The diffraction grating of a scalar wave refracts the external linear signals in the direction of the zero center of the Wave Crystal / Hologram, similar to the focus of the crystal in our eye. Via changing the shape of the crystal, that is, the refraction inside the diffraction grating, our eye receives different information. The same happens with our chromosomes.
Furthermore, DNA is self-protected from any external linear signal, since it is a paradigmatic scalar wave, because its one strand goes in one direction and the other strand in the opposite direction. While RNA is a single-stranded spiral antenna, which is, thus, vulnerable to the external signals. Therefore, the secret of the genome lies in the form of RNA as an inductor, which collects, amplifies and stores energy in the form of a magnetic field. Genetic improvement is possible only if RNA collects and stores the correct linear signals and for a sufficiently long time; and only if DNA nullifies these signals in its scalar wave by creating the spatial translational symmetry (metacentricity) of the Holographic Signal, imposing it upon chromosomes during cell division.” (Irene Caesar, Ph.D., “Remote Genetic Engineering as Bioholography Based upon the Shape of Chromosomes, DNA and RNA for Focusing the Genetic Information”, Speech and Article published in the Proceedings of the 8th World Congress on Genetics, BIT, November 13-15, 2017, Macau, China).
Dr. Caesar states that “the geometry of chromosomes changes the nature of the external signal from linear to holographic (© Irene Caesar 2012, the Implication of the Holographic Principle) (1) through the polarization of the torus (via changing the spin in the integral toroidal field of DNA), (2) through the reflection of any external linear signal upon itself and creation of the diffraction grating of the scalar / standing wave, which nullifies any external signal; (3) through the refraction of any incoming signal towards the center of the wave crystal, which functions as a focus, in the same way as our eye functions (© Irene Caesar, Ph.D., Geometry of Chromosomes, 2014) (Irene Caesar, Ph.D.) (Irene Caesar, Ph.D., “Remote Management of Biosystems Based upon the Shape of Chromosomes as Diffraction Grating for Focusing the Genetic Information”, Speech and Article published in the Proceedings of the International Symposium of the Thonburi University, Bangkok, Thailand, at the personal invitation of the Royal Family of Thailand, July 23, 2016, pp. 2-7).
Dr. Caesar concludes: “We can produce remote laser management of biosystems and, thus, create people with improved physical and mental abilities, and dramatically prolong life expectancy, based upon the Implication of the Holographic Principle (© Irene Caesar, Ph.D., Quantum Biointernet, 2013) and the mastery of geometrical codes of chromosomes “(Irene Caesar, Ph.D., Article “Quantum Genetics “, Monthly Journal “Socialist Factor”, Lucknow and London, September 2016, pp. 41-43).
Dr. Irene Caesar was the first who suggested to produce and distribute drugs via holograms as diffraction / refraction gratings, and to create holograms by lasers according to the principle of refraction.
From May to September 2017, at the experimental sites of the Moscow State Technical University named after N.E. Bauman, and the Scientific and Educational Medical and Technological Center of the Bauman Moscow State Technical University, a scientific group, headed by Dr. Irene Caesar and financed by her, has successfully implemented and tested the new method, offered by Dr. Caesar, for the recording and remote transmitting of bioholograms using laser spectroscopy and coding the electrets with digitized bioholograms of pharmaceuticals at the nanoscale using a laser. According to Dr. Irene Caesar, “the technology of the Polarized Bioholography creates ‘lenses’ that help our chromosomes correct their refraction for focusing the genetic biographic information both locally and remotely” (Irene Caesar, Ph.D., “Remote Bioengineering as Quantum Biointernet, Based upon the Geometrical Optics of Chromosomes as Lenses for Refracting and Focusing the Genetic Information”, Speech and Article published in the Proceedings of the World Congress on Biomedical Engineering, Creating the New Future of Biomedicine, November 9-11, 2017, Xi’an, China).
During the experiments, for the first time in the world, a new high-precision laser spectrograph was used to record the Bioholograms of Pharmaceuticals. Dr. Irene Caesar proposed a modification of the laser spectrograph (an egg with reflective inner surfaces, for amplification through resonance in the pyramidal part, and, then, for zeroing the signal in the spherical part in the scalar / standing wave), which will greatly expand the capabilities of this device for recording bioholograms.
The mathematical model was created by a group of scientists who also created a mathematical model for trajectories of the Caliber (“Kalibr”) rockets (a new, top Russian missile).
Caesar became a professional artist in 1988, and came to prominence in the early 1990s in Russia, with exhibitions in major Russian Museums, such as Russian Museum (Marble Palace, second in significance museum in the country), the Museum of the History of St. Petersburg, the Museum of the History of the St. Petersburg University, and with articles about her art in major Russian newspapers of that time, such as “Smena,” “Vecherniy Leningrad,” “Neva News,” “University”, etc.
Russian Television has produced two documentary movies on Caesar. The first documentary was made by the “Parallels” Program for the All-Russia Television, in 1991, which was such a success that it was repeated on the show “The Fifth Wheel” on St. Petersburg TV. The second documentary was produced by the “Autograph of the Day” for the St. Petersburg TV in 1992. In this film, Oleg Pokrovsky, the follower and scholar of Pavel Filonov, the famed Russian artist, said that Caesar is the heir of Pavel Filonov in Russian Art, and that he “gave her the honour to continue Filonov’s traditions in art”.
Caesar made numerous appearances on Russian Television as early as 1990s — in such popular TV shows as 600 Seconds with Alexander Nevzorov, “The Fifth Wheel”, and Tele-Courier and on Radio shows, such as “Day After Day”, ‘Publicist”, and “Radio Russia”. Ivan Fyodorov Publishing House, the biggest State Publishing House in St. Petersburg of that time, published and distributed Caesar’s book “Art of Spirits”.
Oleg Sulkin, The Voice of America (Voice of America is the official external broadcast of the United States Federal Government. fully funded by the US Government) Journalist, wrote about Caesar: “Caesar’s main tool of aesthetics is the artistic provocation via performance with role-games.” Caesar produced a series of performances documented in photographs in the style of absurdism, close to the theatre of the absurd of Samuel Beckett and Eugène Ionesco.
Ekaterina Dais wrote on Caesar in her article “Caesar, Shpuk and Vagabonds” for the “Independent Newspaper”, one of the major Russian newspapers that Caesar likes to depict a hero who “breaks all the taboos and rules, because he sets his own”, so that “Irene Caesar, being a conceptual artist, is inserting a philosophical lining between reality and its perception, saying that her inspirations are “Hellenistic cynics who deliberately refused property and denied any hierarchy, in order to gain freedom.” Dais continues: “No wonder Irene Caesar writes in his essay on her series ‘People of art as objects of art,’ that monks were deliberately choosing poverty and homelessness.” Ekaterina Dais concludes that Caesar is looking for an alternative to the bourgeois religion, reaching down to its origins, when the difference between Christians and Gnostics did not practically exist.”
Caesar’s performances were staged as role-games, which expressed some concepts in a symbolic interaction|symbolic way by making participants interact with some object or prop, with themselves, or between each other in some absurd situations. These performances were staged not as static tableaux vivants, since they were characterized by a high degree of dynamism and interaction between Caesar and the participants.
As a way of questioning modern art, Caesar created a series of photographic portraits of some well-known critics, film directors, and artists, including Arthur Danto, Vitaly Komar, Alexander Melamid, Slava Tsukerman, Vadim Perelman, which she produced as absurd role-games.
Caesar participated in the dissident movement in Russia, was invited by Marina Salye to make a speech at the Founding Conference of the Free Democratic Party of Russia during the 1991 Putsch, and produced the series of portraits of important dissidents, including portraits of Elena Bonner, Alexander Esenin-Volpin, Pavel Litvinov, and others, which showed these nonconformists in some nonconformist controversial situations.
These portraits and other role games by Caesar were widely exhibited, including Chelsea Art Museum in New York, State Tretyakov Gallery of Russia in Moscow, the major art museum in Russia, The Harriman Institute of Columbia University in New York, in the Museum of Russian Art in Jersey City, in the Museum of Russian Art in Minneapolis, the Dennys Lascelles Exhibition Gallery, Deakin University, Australia, at the International Arts Festival “Human Rights?” in Rovereto, Italy, organised by the Spazio Tempo Arte and the Peace Bell Foundation – “Opera Campana dei caduti Maria Dolens and sponsored by the Council of Europe, Amnesty International and the Government of Italy, in the Neuberger Museum of Art, etc.
Caesar’s artworks are included in such collections as the The Fralin Museum of Art, University of Virginia, Nasher Art Museum of the Duke University, Zimmerli Museum of Rutgers University, The Museum of Modern Art in Moscow, Mashkov Museum of Fine Arts in Volgograd, Museum “The Other Art” in Moscow, the Kolodzei Art Foundation, the art collection of the Universidad Miguel Hernández, etc. Caesar spoke on her art and aesthetics at the Harriman Institute of the Columbia University in the United States, Moscow State University in Russia, Museum of Modern Art in Moscow, and University of Miguel Hernandes in Spain, among other prestigious institutions.
Critics emphasized that «the uniqueness of Caesar’s creativity consists in the fact that, for the first time in the history of art, a woman-philosopher – from a woman’s point of view» — gives an assessment of such a wide scope of human ideas. Caesar created, for example, the series of the roles games under the name of “A New History of Ideas in Pictures”, which consists of performances devoted to the major ideas of the human civilisation via her art.
Prof. Arthur Danto of the Columbia University, the patriarch of the Anglo-American art criticism and the most famous American philosopher, in his essay “Trickster’s Commentary” (2010) about Irene Caesar, published in the art magazine “Dialogue of Arts” (the official art magazine of the Museum of Modern Art, Moscow), noted that Caesar’s role games «created a new paradigm of conceptual art via the intense interaction between a portraitist and a model.»
Caesar produced discussions and role games with Arthur Danto himself, resulting in her documentary about her dialogues with Danto on the End of Art. She produced three performances with Danto. In the first, Danto trows the coloured eggs into the air to help Damien Hirst with his Spot Paintings. In the second, Caesar depicted Danto with Wise Puffy Cheese Doodles, as a patriarch of pop-art. And in the third, she takes Arthur Danto’s fingerprints in red paint, resembling blood, as if he is a criminal, with the crying and sobbing people in the background amidst bomb explosions and shootings by automatic guns.
When in 2010, Ellen Yustas Gottlieb, a New York Art Critic, had asked Arthur Danto, in an interview to point to one artist to watch, he pointed to Caesar. Danto wrote in his essay on Caesar for the “Dialogue of Arts” Journal at the Museum of Modern Art in Moscow: “Irene filled the roasting pan with mirrored spheres in different colors. Again I was required to toss these sphere into the air, and again Irene shouted “Higher, higher !,” clicking away as she knelt on the floor. The spheres broke into hemispheres and before I realized it, they flew out of the pan, covering the floor with shiny hemispheres, This time I really was able to throw myself into my part. Some of the shots showed me sending the spheres flying, with the result that the work resembled a three dimensional array of colored spheres, which alluded to the two dimensional paintings of colored circles in Damien Hirst’s pharmaceutical representations of snake venom. I look serious. Irene knelt on the floor, amidst the flying hemispheres. The result, I felt, brought the art figure into a true relationship with the art work. The photographs looked like me as an alchemist.”
It is not for nothing that Ekaterina Bychkova, the “Russian Reporter” journalist in New York, wrote about Caesar: “She is called “the great goddess” and provocateur, agent of the ideological subversion, the preacher on posthumanism and mystic.” Some of Caesar’s role games were quite radical, for example, her staging of the American torture by water—waterboarding—of one of Russian opposition leaders Matvei Krylov in the days of the most intense protests of Russian opposition in Moscow in the winter of 2012.
According to the Art Foundation “Artproject” of the Museum of Modern Art in Moscow, which commissioned the perfomance: “Caesar’s performance “Last Breath” revealed the deeper layers of understanding the concept of individual confrontation. And, at the same time, this performance pointed to the new conceptual point of reference for the assessment of the political situation in Russia.”
Matvei Krylov wrote on his experience of participating in Caesar’s role game of water boarding “Last Breath”: “We want them to understand us, but instead we are forced to listen to them again and again. We are told that we should not open our mouth, since when your opened your mouth, you can lose your life or freedom, choking with anger and violence of power … But today, it is necessary to think and change our tactics, so not bloodshed would not happen tomorrow. Peaceful protest – this is the last warning by those who would never kill.”
Dmitry Grazhevich, the director of the Art Foundation “Artproject” of the Museum of Modern Art in Moscow, which commissioned the performance “Last Breath” wrote on Caesar: “On the one hand, the role-games, staged by Irene Caesar, are deprived of theatrics – the hero does not have time for rehearsals … and on the other hand, they are deeply absurd, as it is well demonstrated by her photo projects with well-known characters of modern culture, like art critic Arthur Danto, Hollywood director Vadim Perelman, Tim Hunt, Director of the Andy Warhol Foundation in New York, Kyrill Svetlyakov, the Head of the newest trends at the State Tretyakov Gallery, the major Russian Museum, and Yuri Samodurov, a famed Russian art curator… so that Caesar is always a success in disturbing those in power».
In her role games, Irene Caesar created conceptual responses to major trends in Western art, for example she produced a performance “Three Hundred Balls for Damien Hirst” at her solo show “The Artworld: Arthur Danto’s Conceptual History in the role games by an absurdist Irene Caesar” for Moscow State University, which was her response to Damien Hirst’s Spot Paintings in the year, when Damien Hirst showed them all around the world. A large crowd of the Moscow University students were throwing together the coloured balls into the air.
In parallel to this performance, the Moscow University has also exhibited Caesar’s video dialogue with Arthur Danto, discussing the death of art. Also the exhibit showed the photograph Caesar did at her joint performance with Arthur Danto at his residence in 2010, when Danto helped Damien Hirst with his Spot Paintings by throwing the coloured eggs into the air. In her speech at the opening of the show, Caesar said that both performances revealed the absurdity of Hirst’s art indifferent to human suffering.
Russian Television company “Tainam Net” has made a film on Caesar’s performance ‘Three Hundred Balls for Damien Hirst”, which continued the comparison between social problems and the indifference of modern art to human suffering. Caesar used various genre for her absurdist conceptual art, including poetry, and her graphic description of the Stalingrad battle in a poem was published in the New Yorker Magazine.
In the Birch Journal of the Columbia University, Georgia Lipkin wrote on Caesar’s staged portraits as Role Games: “These staged photographs — with their evocative images and ironic titles — encourage the viewer to both laugh out loud and cringe in disgust, blush at the overtly explicit and feel nagged by the quiet latency,” so that Caesar’s artworks “provoke a dialogue with the viewer – whether it be a remark on the state of contemporary conceptual art, or an evocative and uncomfortable confrontation,” and are “conceptual commentary upon a paradoxical and satirical world… There is a nonsensical and refreshing bluntness to her work, which seamlessly weds art to philosophy and pursues questions that at once span time and culture and yet feel pressingly contemporary.” Caesar’s art “is a bag of analytic tools that Caesar uses to both examine and toy with our modern condition,” concludes Lipkin.
Caesar used psychotronics for producing artworks for the first time in the history of art, presenting to the public her psychotronic art at her Jubilee Lecture “Man-Sun” at the Museum of Modern Art in Moscow in March 2013. The presentation consisted of video installations, all encoded with the text of her Manifesto “Man-Sun” and her childhood matrix, among which was her “Self-portrait as Joan of Ark” and “Self-Portrait as Text” as a derivative from this artwork. The encoding was done by the lasers of the Institute for National Security in Moscow.
In the monograph “The Intersection of Art and Psychology”, Russell J Chartier gave a high assessment of Caesar’s use of psychotronics in art for the first time in the history of art: “I have been given the great privilege of a contribution by Dr. Irene Caesar discussing her work with Psyotronics used to create an encoded Self-portrait “MAN-SUN.” Prof. Pilar Viviente of the University of Miguel Hernandez in Spain wrote on Irene Caesar’s project “Man-Sun” and Caesar’s lectures at UMH presenting psychotronics in art in the Miguel Hernandez Univeristy Art Journal «Sapiens», that Caesar’s use of psychotronices reveals a completely new approach to art, emphasising the role of human compassion. Miguel Hernadez Univeristy Radiostation devoted a 30 minutes program to the interview with Caesar about her use of psychotronics in art.
In her monograph “The Philosophy of Art: The Question of Definition From Hegel to Post-Dantian Theories”, Prof. Tiziana Andina of the University of Turin, Italy, wrote on Caesar: “She is not an ordinary photographer: she considers herself a provoking artist. In fact, she loves to provoke us in order to test the validity of our ideas; that is, the conceptual structures that allow us to interact with the world… Caesar quotes tradition and, by doing so, indicates its weaknesses and shatters them, demonstrating how one of art’s tasks is to call consolidated visions into question.” In its review on Andina’s book, the Brooklyn Rail Art Magazine emphasised that ” [Caesar] requires something very simple of her subjects: that they incarnate a particular idea before the lens, experiencing it and representing it. “Madonna Liberated” (2009), for instance, encompasses all of these dimensions. First and foremost, it cites the grand art of the Cinquecento, along with the countless iconographic representations of the maternity scene. Caesar places a woman before her lens, a mother with her child, who is loved but is also displayed as a symbol. Only, in Caesar’s depiction, such a familiar scene is transformed, as the symbol is female.”
In her article on Caesar “Irene Caesar: The Return of the Great Goddess”, Ekaterina Dais wrote: “At what time does Caesar work? First of all, our time can be described as the era of breaking the cultural code of the Euro-Atlantic civilization. Throughout the twentieth century, diverse cultural revolutions were occurring, all associated with the change of the sacred male dominant to the sacred feminine dominant… Irene Caesar’s creativity lies in the so-called “return of the goddess Gaia” – that is, the actualization of the divine feminine, which restores its balance with the divine masculine.”
in her monograph “Text and interpretation: Gender and violence in the Book of Judith Scholarly Commentary and the Visual Arts from the Renaissance Onward» for the «Old Testament Essays» Journal, Prof. Helen Efthimiadis-Keith of the University of the North, South Africa, gave similar assessment of Caesar’s art. Prof. Efthimiadis-Keith compared Caesar’s interpretation of Judith to the interpretation by Botticelli, Donatello, Giorgione, Cranach the Elder, Caravaggio, Andrea Mantegna, and Gustav Climpt, and concluded: “No other image of Judith expresses the fear of the woman’s castrating sexual potential quite as well as Irene Caesar’s 1996 ink drawing (Plate 2),3 Judith with the Head of Holofernes.” She continued: “Judith ‘usurps’ the male role (Dundes 1975:29) and so the male authority and prescription of what woman should be that she is both saint and murdering seductress, chaste, spiritual and carnal. It is also for this reason that she poses such a great threat to the male psyche, which baulks at the thought of a woman so powerful that she can easily beguile a powerful general and cut off his head. The head, being symbolic of the penal head, then conjures up images of the dreaded castration and concomitant loss of power, life and vitality. This element is clearly depicted in Irene Caesar’s drawing…. The woman kills the man with her overpowering sexuality – note how the woman’s legs and hair surround the man in vulva formation – thus castrating him and subverting his authority, for it is she who is in control, not he.”
Theory of Ancient History
Caesar created the alternative ancient history that is, according to her, rebuts the falsehood of the official history. Caesar’s major points are the identification of the Antediluvian Megalithic civilization of Giants as Russian; the identification of Russia as Great Scythia, and Russians as Scythians; and the identification of the authentic Jews with the Negroid Tribe of Judah / Tribe of Set from the Upper Egypt (Ethiopia and North Sudan).
Caesar was the only researcher in the world who, in 2013, revealed that the US President Barak Obama is one and only heir of the one and only Solomonic Dynasty of Ethiopia. At the same time, Caesar claims that the Tribe of Judah / Tribe of Set was civilized by Russian-Aryans / Scythian-Sak who came to Africa from the North, from Russia. In 2013, Caesar has founded the Society for Protecting Negroid Israel.
Caesar denies that Russians are “Slavs”; and, even more, that such thing as “Slavs” even exists. Caesar points out that Russian Emperors Romanovs, the Vatican spies, have changed the name of Russians from “Sklovene” into “Slavene” in the 17th century, via rewriting Russian historical manuscripts, and dropping out the letter “k”. Thus, via chaining the name of Russian people, Romanovs have literally changed the Russian history. Caesar claimed that, in reality, Russians are Scythians, who called themselves “Sak”, “Skolot”, “Skloven”, “Sakoloven”, “Sakaliba” (in Arab sources) — from the Russian word for Falcon “Sakol” — the Tribe of the Fiery Falcon Rarog. So, Caesar says, Russians are the same Sak, as Anglo-Sax and German Saxons. At the same time, Anglo-Sax and German Saxons are Russians, since the Fiery Falcon was called “RAROG” or “RASSIAN” from word “RA” for the Absolute Light.
Caesar says that, when in 2016 she asked at the Information Desk of the Metropolitan Museum in New York about Scythia and Scythians, she found out that nobody ever heard about Scythia and Scythians. In the Summer of 2016, Caesar has founded the Scythian Museum.
Caesar became the only researcher in the world who offered the Quantum Physics justification for the Hyperborean Theory of the emergence of civilization on this planet in the Eastern Polar Areas of Russia, and the Quantum Genetics explication of the Antediluvian Megalithic civilization of Giants as Matriarchal Socialism.
According to Caesar: (1) The Antediluvian Civilization was a Global highly technological civilization, which was also Russian; (2) It was Matriarchal Socialism; (3) It was destroyed when males have separated from females via chromosomal mutation (the split of the female metacentric functional chromosome into two dysfunctional acrocentric male gender chromosomes); (4) the Antediluvian civilization, continues Caesar, was destroyed by the war between Matriarchs and Patriarchs of the same family; the global war was a high tech war with the use of psychotronic, nuclear, laser, plasma and gravitational weapons, which literally blew our planet up from inside; before the war, there was no ocean, no rivers, and lack of water; megalithic pyramids were built around the planet to produce rain via the amplification of the signals due to resonance; the chromosome of a Great Mother was used to balance this process, so that female metacentric chromosome nullified the excess of energy produced by Pyramids (via scalar wave); and after the Great Mother was killed, the Pyramids have immediately become the gravitational bomb that destroyed the electro-magnetic status quo of the planet; (5) After the Nuclear War, people lived in the underground cities, and came out in the so-called “Stone Age”, 10,000 BC, says Caesar.
Matriarchs restored civilization in the inter-glacial period, 7,000 BC, in the Eastern Polar Areas of Russia, where there was no glacier, and due to the Quantum Effect of the Cupola / Kozyrev Mirror shape of the Ionosphere above the North Pole. Caesar was a first researcher in the world who attracted attention to the North Pole as a portal due to the shape of the Ionosphere as the cupola. Caesar says that it is precisely because of this Quantum Effect that birds from all around the world are flying to the North, to Polar areas, to hatch their eggs, since the Quantum Effect of the North Pole promotes the emergence of super intelligence.
After climate got colder, says Caesar, Matriarchs / Babi / Fiery Falconesses distended to the South in all directions, founding civilizations in India, Middle East and Africa, and bringing the Swastika cult of RA to every corner of the planet. Matriarchs tamed all animals, and they identified themselves with Fiery Falcon / Phoenix / Firebird / Garuda / Dragon simply because they tamed Falcon, not Eagle.
Dragon, says Caesar, originates from Russian word “Dorogoy” / “Drago” that is “dear” in Russian. Herefrom, Russians have the word “drug” / “friend” and “druzhina” / “war battalion”. Caesar stepped forward with bitter criticism of David Icke and his theory of Reptilians as the Alien invaders of our dimension. Scythian Great Mother was depicted as Vasilisa (female name in Russia, later “Vasilisk” / “Basileus” of Roman Emperors) who was a Griffon (Griffin / Griff) / Phoenix / Firebird with the body of a cow, paws of a lion, wings of a falcon, and tail of a snake, with each animal symbolizing some part of the global Russian-Aryan / Scythian-Sak Empire. Great Mother RA-MA / MA-RA was also depicted as a female face with hair as snakes ([G] Orgona / Arkona), or as a woman with arms and legs and folds of dress as snakes.
Caesar claims that Sumer culture is the Russian-Aryan Samara culture (Samarra culture), since, in the epicenter of the Sumerian culture of Iraq, there stands an Iraqi city of Samara. Samarra culture, says Caesar, originated on the major Russian river Ra (Volga); on the three rivers Aryan, Alla and Sura on the Kola Peninsula by the Arctic Ocean (here is the origin for the country name Suria / Syria, she says), that cover the entire territory of Russia from ocean to ocean from North to South, and from East to West; on River Euphrates (in Siberia) and River Samara that originates in Urals and flows into River RA / Volga, with the Russian city of Samara standing in the place of confluence of River RA and River Sama-RA (“sama” means”itself” in Russian, Caesar says). RA means Absolute Light, and here is the origin of country’s name as Russia, so that Russia should be properly pronounced as RAssia, Caesar claims.
Since no Indian, Iranian and Semite from the Middle East have ever reached the Polar areas of Russia at the Kola Peninsula, says Caesar, the notion of RA, Samara and Surya / Arya are of purely Russian origin. She proves her point with the text of the 38th chapter of the Book of Ezekiel in Tanakh / Old Testament, which says that there is country Rosh in the North, on River RA, that is more ancient, more civilized and more technologically advanced, and wherefrom the Kings of Rosh on the Fiery Chariot (“Vimana”) fly into Judea to punish the Kings of Judea if they misbehave. She also refers to the Epos of Gilgamesh, the central historical document of Sumer, which states that Gilgamesh crossed the sea, and went to the North, to the territory of Russia / Rosh to meet with the Gods of Sumer and the immortal man Utnapishtim who survived the Global Flood 
Caesar identifies herself as a philosopher-artist, and creates conceptual art as a way of testing her philosophy while also practicing philosophy as art, that is, as a practical guide for better living.
In her philosophy of art, Caesar criticises Postmondernism Caesar created “Manifesto: Death of Postmodernism”, presented by her at her Public lecture at the Moscow State University in Russia, The Manifesto formulates a bitter critique of postmodernism for its indifference to human suffering, and is partially based upon Caesar’s analysis of her dialogues with Arthur Danto about the End of Art in 2011 and 2012, produced as a video film in two parts.
Caesar created an alternative model of human settlements — Matrix Cities using the information-wave technologies of the Quantum Leap, which she presented in her public lecture “The Matrix” at the Harriman Institute of the Columbia University, based on her holographic principle for globalization as the application of the major principle of quantum physics to social sciences.
Caesar’s “Matrix City” is an integrated information-wave matrix with fossil-fuel free energy, and the remote control over biosystem, so that all the aspects of life are controlled by the information-resonance technology. Caesar’s “Matrix City” was a critique of Charter city, offered by Paul Romer, and Ocean Cities or Seasteading by Peter Thiel as suicidal for mankind.
In July 2012, Caesar became a co-founder of the Consortium “The Matrix City” with the Institute for National Security in Moscow for the purpose of building self-sufficient cities with the application of information-wave technologies of the Quantum Leap, which provide humans the unlimited access to energy, resources and food via the process of transmutation from the Quantum Vacuum.
In 2013, Irene Caesar authored the theory and project of “Quantum internet” for the remote control over biosystems. She spoke about the remote control over biosystems all over the globe, including in her series of lectures and a Public lecture “Man-Sun: Wave Matrix in Art” at the Faculty of Fine Arts at at the Miguel Hernández University, Altea, Spain, in which she formulated a new concept of human culture, based on the information-wave technologies of the Quantum Leap in opposition to the plans of American technocrats to build the Internet of Things as the Global Electronic Government, managed by the Global Artificial Intelligence through Brain-computer interface|BCI (brain computer interface, i.e., brain chips), so that people are downgraded to the subhuman biorobots, remotely controlled. Caesar opposed her paradigm of Man-Sun to Nick Bostrom’s paradigm of a cyborg.
During her lectures and a joint exhibit “Man-Sun: Wave Matrix in Art. Phychotronics in art for the first time in the history of art. Tribute to Arthur Danto” with Prof. Pilar Viviente of the Universidad Miguel Hernández, Caesar introduced her art made with phychotronics for the first time in the history of art, i.e., studio photographs, each one of which was coded with text and other image via lasers of the Institute for National Security in Moscow.
Alexander Gottwald wrote in his article on Caesar “Warum ein Interview mit der russischen Philosophin Irene Caesar?” for the Bürgerstimme Magazine: “Irene Caesar assumes that the NWO representing the plan of a unipolar world… She says that this geopolitical paradigm is contrary to the laws of quantum physics. Each of us is completely unique. The universe is multipolar, according to this view, and it should be. So we must understand that we have been enslaved on this planet, we must wake up and stand up for our uniqueness, the uniqueness of the country in which we live and the unique heritage of our own people.”
Bartolomeu Capita, Chairman of the Cabindan National Movement wrote about Caesar’s research on the origin of the crisis Ukraine in his letter “Africa Should Stand Out Against World War”, which he sent to the UN Secretary General Ban Ki-Moon and to Permanent Representatives of African States to the United Nations and other International Organizations in Geneva, and his essay”: “Caesar’s dramatic paper [on Ukraine] gives readers not only gooseflesh but also a valuable clue as to what is at stake in the «Ukrainian Crisis». We can admittedly consider the paper to be a mere propaganda but Africans should think it over very carefully, give ourselves the most appropriate answers, and ultimately act accordingly. If you stop and genuinely think about all the suggestions the paper claims as facts, you immediately realize that «Mother Africa» is for some reason at the heart of the «Ukrainian Crisis». Hence Ms. Caesar’s essay is a warning to Africans that in the event of a WWIII Africa is the primary target of the parts in conflict.”
TV, Radio and Film Coverage
— Alexander Nevzorov with Irene Caesar, 600 Seconds, Leningrad TV, 1990
— “Irene Caesar”, Documentary Film, “Parallels,” Russian Television, 1991 (repeated on Russian Television show “The Fifth Wheel” and on St. Petersburg TV)
— Episode in Tele-Courier, Leningrad TV, 1991
— “Oleg Pokrovsky, the Disciple of Pavel Filonov about Irene Caesar,” Documentary Film, “Autograph of the Day”, St. Petersburg TV, 1992
— The Fifth Wheel Episode, Leningrad TV, 1992
— Interview for “Day After Day”, St. Petersburg Radio, 1992
— Interview for “Publicist,” St. Petersburg Radio, 1993
— Interview for Radio Russia, 1993
— NTV-AMERICA: Mikhail Gusev interviews Irene Caesar for the Program Persona Grata, August 2010
— TV3 Medford, “Meeting Interesting People: Lena Neva interviews Irene Caesar”, December 2010
— Oleg Sulkin, “Irene Caesar: I do not have a right to hide behind the camera,” Voice of America, September 26, 2011 http://www.voanews.com/russian/news/arts/Irina-Ceasar-2011-09-26-130570188.html
— Dmitry Volchek “Non-conformism is Alive”, Radio Svoboda / Radio Liberty, Program “Above Barriers”, August 17, 2011 http://www.svobodanews.ru/content/transcript/24300132.html
— Voice of America film on the “Concerning the Spiritual Tradition in Russian Art” Exhibition by the Kolodzej Art Foundation at the Chelsea Art Museum with Irene Caesar’s participation https://www.youtube.com/watch?v=LLY1LvGJn_0&feature=player_embedded
— Interview for the Abkhazian TV, May 2012
— NTV-AMERICA: Mikhail Gusev interviews Irene Caesar for the Program Persona Grata, September 2012
— RTV-America: Boris Tenzer Interviews Irene Caesar for the one-hour Program “Contact”, January 15, 2013
— Radio UMH (Miguel Hernandez University Radio Station. Spain), December 2013
— Irene Caesar: Interview for Alexander Gottwald, April 8, 2014: http://alexandergottwald.com/en/840/wake-up-or-perish-russian-philosopher-irene-caesar-interviewed-on-nwo-putin-ww3-the-solution/
Video “Wake up or perish! – Russian Philosopher Irene Caesar Interview by Alexander Gottwald”, April 8, 2014, Part 1: https://www.youtube.com/watch?v=aRdDRsXulwE
Video “Wake up or perish! – Russian Philosopher Irene Caesar Interview by Alexander Gottwald”, April 8, 2014, Part 2: https://www.youtube.com/watch?v=eCYC4sl54uQ
— “КРОВАВЫЙ ФЛАГ” – фильм об акции Ирины Цезарь-Духариной, Доктора Философских Наук, Полковника Международной Иркутской Походной Казачьей Воинской Общины, Атамана Посольской Казачьей Станицы в США, против Укро-Фашистких-Сионо-Нацистких бомбёжек безоружного населения Новороссии фосфорными бомбами, запрещёнными международным законодательством, около монумента Джоржу Вашингтону, Уолл Стрит, Нью-Йорк, 16 июня 2014 года. / “BLOODY FLAG” — film by Irene Caesar, Ph.D., the Colonel of the International Irkutsk Cossack Military, the Ataman of the Cossack Embassy in the United States, against the Ukro-Fascist-Zio-Nazi bombing of the unarmed civilians of Novorossia with the white phosphorus bombs, forbidden by the International Law, near the monument to George Washington, Wall Street, New York, June 16, 2014: https://rutube.ru/video/d8303c4d2c69b3664e61fbcb2ada8104/
— MH17 i gaz łupkowy. Dr Irene Caesar, Wolna Polska, 16 августа 2014:
— Ирина Цезарь – “ПОДЛИННАЯ ИСТОРИЯ” – интервью Александру Готтвальду, 9 марта 2015 года / IRENE CAESAR – “TRUE HISTORY” – INTERVIEW FOR ALEXANDER GOTTWALD, March 9, 2015:
Part 1: http://rutube.ru/video/9b70ca32e71480393a6f0cff6e66135f/
Part 2: http://rutube.ru/video/6c3e546a77e96310ffd6a01abc8bd1b4/
— ИРИНА ЦЕЗАРЬ – КВАНТОВЫЙ СКАЧОК ПРИНАДЛЕЖИТ КАЗАКАМ, Кон Атаманов, Кувандык, Оренбургская область, Россия, 9 мая 2015 года:
— ИРИНА ЦЕЗАРЬ в фильме “Самые шокирующие гипотезы – Когда наступит час расплаты”, РЕН ТВ, 08 октября 2015 года
— ИРИНА ЦЕЗАРЬ в фильме “Самые шокирующие гипотезы – Властелины конца”, РЕН ТВ, 24 ноября 2015 года
— ИРИНА ЦЕЗАРЬ в фильме “День шокирующих гипотез – Вся правда о рептилоидах”, РЕН ТВ, 07 января 2016
— ИРИНА ЦЕЗАРЬ в фильме “Самые шокирующие гипотезы – Кто-то плохо кончит”, РЕН ТВ, 21 января 2016 года
— ОБЩИЙ ПРЕДОК КАК ОСНОВА ЕДИНСТВА НАРОДОВ РОССИИ, АННА-НЬЮЗ, 2 февраля 2016 года:
Опубликовано Анна-Ньюз 5 феврала 2016 года: http://www.anna-news.info/node/52490
Опубликовано Анна-Ньюз 4 феврала 2016 года на Канале Анна-Ньюз: https://www.youtube.com/watch?v=43vja-5bDQ4
Официальная версия: https://www.youtube.com/watch?v=5JfiCDUihF8
Полная версия: https://www.youtube.com/watch?v=5JfiCDUihF8
— ЕДИНЫЙ ПРЕДОК ТЮРКОВ И СЛАВЯН, Интервью Дмитрию Соину, АННА-НЬЮЗ, 16 февраля 2016 ГОДА:
Опубликовано АННА-НЬЮЗ 23 февраля 2016 года: http://www.anna-news.info/node/53794
Опубликовано на Канале АННА-НЬЮЗ 23 февраля 2016 года: https://www.youtube.com/watch?v=lpG9iO_N_yo
Полная версия, включающая Первую Часть Интервью (“Казаками были все”) и Вторую Часть Интервью (“Общий предов Тюрков и Славян”) под общим названием “Элохим и Аллах от Русской Аллы”, опубликованная 23 февраля 2016 года на официальных каналах Ирины Цезарь на YouTube и RuTube:
— ИРИНА ЦЕЗАРЬ – КАЗАКАМИ БЫЛИ ВСЕ, АННА-НЬЮЗ, 16 февраля 2016 года, Интервью Дмитрию Соину:
Опубликовано на Канале АННА-НЬЮЗ 21 февраля 2016 года: https://www.youtube.com/watch?v=v6Yecuv85lA
Полная версия, включающая Первую Часть Интервью (“Казаками были все”) и Вторую Часть Интервью (“Общий предов Тюрков и Славян”) под общим названием “Элохим и Аллах от Русской Аллы”, опубликованная 23 февраля 2016 года на официальных каналах Ирины Цезарь на YouTube и RuTube:
ИРИНА ЦЕЗАРЬ – ЭЛОХИМ/АЛЛАХ ОТ РУССКОЙ АЛЛЫ, ANNA NEWS, 16 февраля, 2016 года
— ИРИНА ЦЕЗАРЬ – ДОКАЗАТЕЛЬСТВА ДРЕВНОСТИ РУСОВ, ГЛОБАЛЬНАЯ ВОЛНА, 5 апреля 2016
— ИРИНА ЦЕЗАРЬ О ВОЛНОВОЙ ГЕНЕТИКЕ И СЕБЕ НА ГЛОБАЛЬНОЙ ВОЛНЕ, 3 апреля 2016
— РАВВИН ЭТО РУСО АРИЙ, ИНТЕРВЬЮ ИРИНЫ ЦЕЗАРЬ НА ГЛОБАЛЬНОЙ ВОЛНЕ, 2 апреля 2016
ИРИНА ЦЕЗАРЬ “ДНК АРХЕОЛОГИЯ – ОБЪЕДИНЕНИЕ РУССКОГО МИРА” НА СЛАВЯНСКОМ РАДИО, 14 апреля, 2016 (запись)
В СКИФСКОМ МУЗЕЕ:
НА СЛАВЯНСКОМ РАДИО:
ИРИНА ЦЕЗАРЬ – АРКАИМ ЭТО МЕГАЛИТИЧЕСКАЯ АРКОНА, Оренбургская область, 9 мая 2016 года:
— ИРИНА ЦЕЗАРЬ В ФИЛЬМЕ РЕН ТВ “ТРЕТЬЕ ПРОРОЧЕСТВО ФАТИМЫ” 21 июня 2016 года:
— Sencha MacRae interviews Irene Caesar on Russian Roots for the Untold Tales Radio, July 17, 2016:
https://www.youtube.com/watch?v=SbzQPpqXG30Sencha MacRae interviews Irene Caesar on Russian Roots for the Untold Tales Radio, July 17, 2016
— IRENE CAESAR INTERVIEW FOR MINDTECH ENTERPRISES DEC 13 2016:
— IRENE CAESAR, PH.D., INTERVIEW TO ALFRED LAMBREMONT WEBRE, with the participation of MindTech Enterprices Team — distributors of products of Irene Caesar’s company Wave Genome: Magnus Thorwald Olsson and Madlen Namro, December 17, 2016:
— ИРИНА ЦЕЗАРЬ в фильме “Третье пророчество Фатимы. Новое пророчество о России. Когда наступит час расплаты?”, РЕН ТВ, 20 декабря 2016 года
Conferences / Lectures
Dr. Irene Caesar is to chair the NEURAL ENGINEERING SECTION The 1st World Congress of Biomedical Engineering-2017, Theme: Co-creating A New Future of Biomedicine New Future of Biomedicine , November 9-11, 2017 Place: Xi’an, China:
Dr. Irene Caesar’s speech “Remote Genetic Engineering as Bioholography Based upon the Shape of Chromosomes, DNA and RNA for Focusing Genetic Information” at BIT’s 8th World Gene Convention-2017 (WGC-2017), November 13-15, 2017, Macao, China, Theme 502: Molecular & Cell Biology at WGC-2017:
IRENE CAESAR, Ph.D., “REMOTE MANAGEMENT OF BIOSYSTEMS AS BIOHOLOGRAPHY BASED UPON THE SHAPE OF CHROMOSOMES FOR FOCUSING GENETIC INFORMATIOIN”, Speech at the Conference of Molecular and Cell Biology, Xi’an, China, April 25-27, 2017:
IRENE CAESAR, LECTURE AT THE CONFERENCE “EXPOSING TRUTH”, WARSAW, 22-23 APR 2017
ДОКЛАД ИРИНЫ ЦЕЗАРЬ “ДОПОТОПНЫЕ ГИГАНТЫ БЫЛИ РУССКИМИ! ДОПОТОПНАЯ ЦИВИЛИЗАЦИЯ БЫЛА РОССИЕЙ!” на Конференции “ТАЙНА ДРЕВНИХ ЦИВИЛИЗАЦИЙ”, 3 декабря, 2016, Научная Ассоцивция “Протоистория” и Научная Ассоциация Антропологии и Психологии. Полный текст на Русскои и Английском языках (English translation of the speech is here): https://irenecaesar.wordpress.com/2016/05/15/russians-were-atlanteans-anunnaki-and-elohim/
На ГЛОБАЛЬНОЙ ВОЛНЕ: https://www.youtube.com/watch?v=5aDD8uRPkFc&t=1045s
Irene Caesar, Ph.D., “REMOTE MANAGEMENT OF BIOSYSTEMS BASED UPON THE SHAPE OF CHROMOSOMES AS DIFFRACTION GRATING FOR FOCUSING GENETIC INFORMATION:, Conference Health 2.0, Nanjing, China, November 9-10, 2016:
ИРИНА ЦЕЗАРЬ – МАТРИЦА КАК СИСТЕМА ГЛОБАЛЬНОГО УПРАВЛЕНИЯ /
IRENE CAESAR, Ph.D., LECTURE “MATRIX AS A GLOBAL MANAGEMENT SYSTEM OF LIFE. MECHANISM OF REMOTE MANAGEMENT OF BIOSYSTEMS,” CONFERENCE “PSYCHICS – YESTERDAY, TODAY, AND TOMORROW, (4TH MEETING OF THE ASSOCIATION OF ASTRAL ANTHROPOLOGY AND PSYCHOLOGY), MOSCOW, RUSSIA, OCTOBER 10, 2016:
— RUSSIAN-ARYAN MEGALITHIC CITIES IN SOUTH AFRICA
At the invitation of Siphiwe Zikalala, former diplomat of the South African Republic in Russia, at his “Zvezda Game Resort”, October 7, 2016.
— IRENE CAESAR’S TWO SEMINARS IN SOUTH AFRICAN REPUBLIC OCTOBER 2016. “REMOTE AND LOCAL MANAGEMENT OF BIOSYSTEMS BASED UPON THE SHAPE OF CHROMOSOMES” (October 1 and 2) AND “QUANTUM PHYSICS PROOF FOR THE HYPERBOREAN ORIGIN OF CIVILIZATION ON THIS PLANET”, October 5 and 6). Organized by Organise Africa and Heavenly Harmony, Johannesburg:
— Irene Caesar, Ph.D., Lecture “Remote management of biosystems based upon the shape of chromosomes as diffraction grating for focusing genetic information”, 2nd International Symposium, Bangkok Thonburi University, July 23, 2016:
Video of the speech:
Slide snow of the speech:
— IRENE CAESAR, PH.D., Lectrure “GOSPEL OF IRENE”, The Strategic Informatics Advisory, Maryland, USA, July 7, 2016:
— ИРИНА ЦЕЗАРЬ – “РУССКИЕ БЫЛИ АТЛАНТАМИ, АНУННАКАМИ И ЭЛОХИМАМИ”, доклад на Конференции “Свято-Троицкие Чтения’, Русская Христианская Гуманитарная Академия, Санкт-Петербург, 27 мая 2016 года.
— ИРИНА ЦЕЗАРЬ – “ГИПЕРБОРЕЙСКАЯ ТЕОРИЯ С ТОЧКИ ЗРЕНИЯ КВАНТОВОЙ ФИЗИКИ” – доклад на Конференции “Эзотерика Новый Поворот” Ассоциации Антропологии и Психологии, Москва, 16 мая 2016 года
— ИРИНА ЦЕЗАРЬ, Доктор Философских Наук, Полковник Казачьего Войска, – Доклад “ГОЛОГРАФИЧЕСКИЙ ПРИНЦИП ПОСТРОЕНИЯ ВСЕЛЕННОЙ” на Конференции “Неизвестный Космос” Ассоциации “Протоистория”, Москва, 14 мая 2016 года.
— ИРИНА ЦЕЗАРЬ – “ВОЛНОВАЯ ГЕНЕТИКА – ОСНОВА СВЕРХРАЗУМА” – Доклад на Заседании Ассоциации Антропологии и Психологии, Москва, 26 апреля 2016 года.
https://www.youtube.com/watch?v=iCHbBLy-p80&t=4s https://irenecaesar2015.livejournal.com/19818.html Окончательная редакция: https://www.youtube.com/watch?v=js7LuSNmb-0
— ИРИНА ЦЕЗАРЬ: “ДНК ГЕНЕАЛОГИЯ В СВЕТЕ РУССКОЙ ИДЕИ”, Лекция 16 марта 2016 года в 18.00 в Библиотеке №3 им. Н.А. Добролюбова (Смоленская площадь, д.13/21), Методологический семинар Экспериментального центра «Этики и эстетики Русского мира»:
— ИРИНА ЦЕЗАРЬ – ВОЛНОВОЙ ГЕНОМ – ЭТО ФОРМА ХРОМОСОМ. Лекция, ЧЕТЕК (Человек, Технология, Капитал), Москва, ул. Пречистенка, дом 8, стр. 3, 27 января 2016 года:
— Ирина Цезарь – EVOLVE EXPO, Денвер, Колорадо, США, 8 марта 2015 года / IRENE CAESAR – EVOLVE EXPO, Denver, Colorado, USA, March 8, 2015:
PART ONE of WAVE GENOME’S participation in EVOLVE EXPO 2015 is Presentation by IS “IRENE CAESAR, PH.D., President and Sole Owner of WAVE GENOME) “QUANTUM LEAP VIA WAVE GENOME”, EVOLVE EXPO, The National Western Complex, Denver, Colorado, USA, March 7-8, 2015: https://www.youtube.com/watch?v=PasGu7KjhyQ&t=372s
PART TWO of WAVE GENOME’S participation in EVOLVE EXPO 2015 is Presentation by KATIA MEIER, MD, Representative of WAVE GENOME in Colorado, US, and Owner of the Clear Sky Medical, PC, on her representation of WAVE GENOME, EVOLVE EXPO, The National Western Complex, Denver, Colorado, March 7-8, 2015, Denver, Colorado, USA, March 7-8, 2015:
— Ирина Цезарь – семинар ВОЛНОВОЙ ГЕНОМ, Вахенхайм, Германия, 18 февраля 2015 года:
Irene Caesar’s “Wave Genome” Seminar on the remote control over the biosystems via the distant laser signal, at the Zehnthof (Haus Helfrich), Wachenheim, Germany, February 18, 2015.
Part 1: http://rutube.ru/video/bd8dc08811850537f8730202145611c5/
Part 2: http://rutube.ru/video/155d8b5fb90723429baa31d53b27d57d/
Part 3: http://rutube.ru/video/4512cf55d737577dac0e424f1b9d1ebc/
— ОТРЯД “БЭТМЕН,” АТАМАН АНДРЕЙ ЩУКИН И АТАМАН ИРИНА ЦЕЗАРЬ-ДУХАРИНА – ОБРАЩЕНИЕ К МОЛОДЫМ КАЗАКАМ, 14 февраля 2015 года:
— IRENE CAESAR, LECTURE “REMOTE CURE VIA LASER”, Clear Sky Medical, США, January 22, 2015:
— ИРИНА ЦЕЗАРЬ – семинар ВОЛНОВОЙ ГЕНОМ, ЦЕНТР ОРАНИЯ, Эстенфельд, Германия, Extrem News, часть 2, 26-27 ноября 2014 года / IRENE CAESAR – WAVE GENOME Seminar at the ORANIA-ZENTRUM, Estenfeld, Germany, Extrem News, Part 2, November 26-27, 2014
— Выступление Ирины Цезарь, Доктора Философских Наук, “Самара против Хазарии” в Русской Христианской Гуманитарной Академии, 21 апреля 2014 года, Санкт-Петербург, Россия, Часть 1 из 3-х частей. Часть 1: https://rutube.ru/video/aba788b29206eec31de06ead3e980593/ Часть 2: http://rutube.ru/video/9dffaa7c75d623cd0741b681b79c971e/ Часть 3: http://rutube.ru/video/ece999a74690f722ad9013050cfdfaf4/
Articles About Irene Caesar
Frank Huzur, Editor of the Socialist Factor Magazine, “Meet Irene Caesar, legendary Russian-American philosopher artist”, Socialist Factor Magazine, September 7, 2017: http://socialistfactor.in/2017/09/07/meet-irene-caesar-legendary-russian-american-philosopher-artist/
PROF. PILAR VIVIENTE ON IRENE CAESAR IN the SOCIALIST FACTOR Magazine, “PRIDE GROWS IN THE HUMAN HEART LIKE LARD ON A PIG”, initially called “was titled “AI WEIWEI. IRENE CAESAR. COMPASSION THROUGH ART”, Lucknow and London, UK, May 2016:
A.D. Coleman on Irene Caesar: Rendering Unto (Irene) Caesar, Photocritic International, A.D. Coleman on Photography and New Technology, March 27th, 2016:
HENRY MAKOW ON IRENE CAESAR, “Eloquent new voice sounds alarm”, October 14, 2015
Reprinted in SAVETHEMALES.CA and EDUCATE-YOURSELF.ORG
and THE TRUTH SEEKER:
and FORBIDDEN NEWS:
and BEFORE IT’S NEWS:
Alexander Gottwald, “Wake up or perish! Russian Philosopher Irene Caesar interviewed on NWO, Putin, WW3 & the solution. Why do an interview with Russian Philosopher Irene Caesar?”, April 11, 2014
ARTHUR DANTO ON IRENE CAESAR, 2010: https://www.youtube.com/watch?v=6W-t2Q_3Ro4
*http://www.irenecaesar.com Irene Caesar website
*http://eduardplanting.com/Eduard_Planting_Fine_Art_Photographs/CAESAR,_Irene.html Profile of Irene Caesar at Amsterdam’s Eduard Planting Gallery
*http://www.agcontemporaryart.com/pastexib.html Alexandre Gertsman Gallery (NYC) past exhibitions
*http://www.youtube.com/watch?v=LLY1LvGJn_0&feature=player_embedded Voice of America News on “Concerning the Spiritual Tradition in Russian Art: Selections from the [[Kolodzei Art Foundation]]” in the [[Chelsea Art Museum]], Apr-May 2011, NY
 Irene Caesar”, Documentary Film, “Parallels,” Russian Television, 1991 (repeated on Russian Television show “The Fifth Wheel” and on St. Petersburg TV
 Interview for “Publicist,” St. Petersburg Radio, 1993
 Oleg Pokrovsky, the Disciple of Pavel Filonov about Irene Caesar,” Documentary Film, “Autograph of the Day”, St. Petersburg TV, 1992
 Irene Caesar, “Why we should not be unhappy about happiness via Aristotle” (The functionalist account of Aristotle’s notion of eudaimonia), Lambert Academic Publishing, Germany, 2010
 http://russianmind.com/content/irene-caesar-art-shock-therapy “irene Caesar: Art as Shock Therapy”, Kristina Kusmina interviews Irene Caesar for the London based “Russian Mind”, March 2012
 St. Petersburg 93”, “Manege”/Central Exhibition Hall, Coordinating Council for the Creation of the Museum of Contemporary Art, St. Petersburg, 1993
 Newspaper “Smena,” 1991; Newspaper “Vecherniy Leningrad,” 1992; Newspaper “Neva News,” Saint Petersburg’s first English Language newspaper; “University” (official Newspaper of St. Petersburg University)
 “Irene Caesar”, Documentary Film, “Parallels,” Russian Television, 1991 (repeated on Russian Television show “The Fifth Wheel” and on St. Petersburg TV)
 “Oleg Pokrovsky, the Disciple of Pavel Filonov, about Irene Caesar,” Documentary Film, “Autograph of the Day”, St. Petersburg TV, 1992
 Alexander Nevzorov with Irene Caesar, 600 Seconds, Leningrad TV, 1990
 Film on Irene Caesar at The Fifth Wheel, Leningrad TV, 1992
 Episode with Irene Caesar at the “Tele-Courier” Program, Leningrad TV, 1991
 Interview with Irene Caesar for “Day After Day”, St. Petersburg Radio, 1992
 Interview for “Publicist,” St. Petersburg Radio, 1993
 Irene Caesar’s Interview for Radio Russia, 1993
 Irene Caesar, “Art of Spirits,” published and distributed by Ivan Fyodorov Publishing House, St.Petersburg, Russia, 1993, the biggest Publishing House in St. Petersburg of that time
 http://www.voanews.com/russian/news/arts/Irina-Ceasar-2011-09-26-130570188.html Oleg Sulkin, “Irene Caesar: I cannot hide behind my Camera”, interview with Irene Caesar, Voice of America, 2011
 Oleg Sulkin, “Irene Caesar: I do not have a right to hide behind the camera,” Voice of America, September 26, 2011 http://www.voanews.com/russian/news/arts/Irina-Ceasar-2011-09-26-130570188.html
 Irene Caesar, “Leonardo the Trickster”, Essay, Aurora, Journal on Philosophy, CUNY Graduate Center, Jan. 2000
 NTV (Russia) / NTV-AMERICA: Mikhail Gusev interviews Irene Caesar for the Program Persona Grata, August 2010
 TV3 Medford, “Meeting Interesting People: Lena Neva interviews Irene Caesar”, December 2010
 Kate Bychkova: “Irene Caesar: My Ideological Struggle”, RUNY Web, 2010 http://www.runyweb.com/articles/culture/art/irene-caesar-interview.html
 Dmitry Volchek “Non-conformism is Alive”, Radio Svoboda / Radio Liberty, Program “Above Barriers”, August 17, 2011. Radio Free Europe/Radio Liberty (RFE/RL) is a broadcasting organization that provides news, information, and analysis to countries in Eastern Europe, Central Asia, and the Middle East “where the free flow of information is either banned by government authorities or not fully developed”. RFE/RL is supervised by the Broadcasting Board of Governors, a bi-partisan federal agency overseeing all U.S. international broadcasting services. http://www.svobodanews.ru/content/transcript/24300132.html
 http://www.chelseaartmuseum.org/portfolios/concerning-the-spiritual-tradition-in-russian-art-selections-from-the-kolodzei-art-foundation/ “Concerning the Spiritual Tradition in Russian Art,” Selections from the Kolodzei Art Foundation Collection for the Jubilee Group show of the Foundation, Chelsea Art Museum, NY
 http://www.tretyakovgallery.ru/en/calendar/root5601776/root56017763466/ “Triumph of Caissa: Dedication to Marcel Duchamp”, The State Tretyakov Gallery, Moscow, May 19-June 3
 http://www.harrimaninstitute.org/events/exhibits.html Irene Caesar, Ph.D.: Public Lecture “Matrix City”, The Harriman Institute, Columbia University, September 2012
 http://tmora.org/exhibition/concerning-spiritual-tradition-russian-art-selections-kolodzei-art-foundation/ The Museum of Russian Art presents Concerning the Spiritual In Russian Art, 1965-2011, selections from the Kolodzei Art Foundation. 2013
 Irene Caesar in Shadow Lands, the Dennys Lascelles Exhibition Gallery, Deakin University, Australia
 Irene Caesar at the International Arts Festival “Human Rights?” in Rovereto, Italy, organised by the Spazio Tempo Arte and the Peace Bell Foundation – “Opera Campana dei caduti Maria Dolens and sponsored by the Council of Europe, Amnesty International and the Government of Italy, 2011
 https://www.neuberger.org/exhibitions/current/view1/293.html?width=660&height=500 Irene Caesar at the Neuberger Museum of Art, “This Leads to Fire’, from the Collection of the Kolodzei Art Foundation, 2014
 Музей РГГУ Irene Caesar in the collection of the Art Museum «Другое искусство»|Museum The Other Art
 >[ http://harriman.columbia.edu/event/irene-caesar-anthropretation Irene Caesar’s Public Lecture «Matrix City», Harriman Insitute, Columbia University, Septermber 12, 2012
 http://bbaa.umh.es/2013/12/05/actividad-artistica-y-academica-organizada-por-pilar-viviente-con-irene-caesar/ Irene Caesar’s Lectures at the University of Miguel Hernandes in Spain
 Ekaterina Dais, “The Return of The Great Goddess” (in Russian), Magazine Lady Boss, #14, July 2010, p. 44
 Episode in Tele-Courier, Leningrad TV, 1991
 Helen Efthimiadis-Keith (Univ of the North), Text and interpretation: Gender and violence in the Book of Judith, Scholarly Commentary and the Visual Arts from the Renaissance Onward, Journal «Old Testament Essays» 15:1, 64-84, 2002 http://ukzn.academia.edu/HellenEfthimiadisKeith/Papers/852629/Text_and_interpretation_Gender_and_violence_in_the_Book_of_Judith_scholarly_commentary_and_the_visual_arts_from_the_Renaissance_onward_Helen_Efthimiadis-_
 http://www.portal-credo.ru/site/?act=news&id=91924 Interview for “Credo” with Svetlana Vais “Gospel of Alex Melamid”, May 2012
 Ellen Yustas Gottlieb interviews Arthur Danto, Chelsea, New York, 2010
 http://www.runyweb.com/articles/culture/art/irene-caesar-interview.html Ekaterina Bychkova, Irene Caesar: My Ideological Struggle, RUNY, January 31, 2011
 Interview for the Abkhazian TV, May 2012
 http://russianmind.com/content/irene-caesar-art-shock-therapy Interview for Russian Mind (London) “Irene Caesar: Art as Shock Therapy”, March 2012
 http://www.fondartproject.ru/artprocess/gologrammy-dykhanija-iriny-cezar/ Breath Holograms of Irene Caesar, Art Process, Foundation Art Project, February 2012
 http://www.fondartproject.ru/tags/gologrammy-dykhanija-iriny-cezar/ Irene Caesar’ Holograms of Breathing, Art Foundation “Artproject”, Russia, February 29, 2012
 http://www.fondartproject.ru/tags/gologrammy-dykhanija-iriny-cezar/ Irene Caesar’ Holograms of Breathing, Art Foundation “Artproject”, Russia, February 29, 2012
 http://www.fondartproject.ru/tags/gologrammy-dykhanija-iriny-cezar/ Irene Caesar’ Holograms of Breathing, Art Foundation “Artproject”, Russia, February 29, 2012
 http://threeroomspress.com/authors/maintenant-dada-journal/ Irene Caesar in Maintenant 6, 7, 8: A Journal of Contemporary Dada Writing & Art, NYC, 2012, 2013, 2014
 http://www.foto-expo.ru/index.php?option=com_content&view=article&id=388:the-artworld&catid=51:-2012&Itemid=133 Irene Caesar, Performance “Three Hundred Balls to Damien Hirst” and Speech at the Opening of the “Artword”, Photocenter, “The Artworld: Arthur Danto’s Conceptual History in the role games by an absurdist Irene Caesar,” Sub-department “Aesthetics: Art Business,” Philosophy Department, Moscow University at Moscow PHOTOCENTER, Moscow, Russian Federation, April 10-21, 2012
 Irene Caesar, «To My Son”, The New Yorker, Nov.1, 2004
 http://irenecaesar.livejournal.com/11215.html Georgia Lipkin, Irene Caesar’s Anthropretation, The Birch Journal, Columbia University, 2012
 Russell J Chartier, “The Intersection of Art and Psychology”, 2013 https://www.academia.edu/4376502/The_Intersection_of_Art_and_Psychology_an_Open_Source_Collection_of_Ideas
 http://issuu.com/umhsapiens/docs/sapiens5issu04-04__1_/1?e=7056616%2F7393729 Prof. Pilar Viviente, “Man-Sun, Naturaleza, cultura y comunidad”, the Universidad Miguel Hernandez UMH Sapiens Journal, Issue No. 5, March 2014, pages 16-19
 http://books.google.com/books?id=jE-pAgAAQBAJ&pg=PA167&lpg=PA167&dq=irene+caesar&source=bl&ots=JhDbNEaGdw&sig=fttQ42dnyk6oMR3orPltTDy8D9A&hl=en&sa=X&ei=L1MeVKfDKceGyATh2YK4DQ&ved=0CFAQ6AEwBjge#v=onepage&q=irene%20caesar&f=false Tiziana Andina, “The Philosophy of Art: The Question of Definition From Hegel to Post-Dantian Theories,” Bloomsbury, 2013, pp. 167-168, figure 4.4
 http://www.brooklynrail.org/2013/09/criticspage/on-defining-art-a-quasi-definition-of-works-of-art Tiziana Andina, On Defining Art: A Quasi-Definition of Works of Art, 4 September 2013, The Brooklyn Rail
 Prof. Helen Efthimiadis-Keith of the University of the North, South Africa, Text and interpretation: Gender and violence in the Book of Judith, Scholarly Commentary and the Visual Arts from the Renaissance Onward, «Old Testament Essays» Journal, 15/1 (2002), 64-84, The analysis of Judith’s depiction by Botticelli, Donatello, Giorgione, Cranach the Elder, Caravaggio, Andrea Mantegna, Gustav Climpt and Irene Caesar, pp. 70-72
 http://www.msu.ru/en/ Irene Caesar, Public Lecture “Manifesto: Death of Postmodernism”, From the guest lectures “Problems of Identification and Interpretation of Contemporary Art”, Department of Philosophy, Sub-department Aesthetics: Art Business, February 2012
 Irene Caesar asks Arthur Danto about the End of Art, Film in Two Parts, 2011
 NTV (Russia)|NTV-AMERICA: Mikhail Gusev interviews Irene Caesar for the Program Persona Grata, September 2012
 RTV-America: Boris Tenzer Interviews Irene Caesar for the one-hour Program “Contact”, January 15, 2013
 http://www.harrimaninstitute.org/events/exhibits.html Irene Caesar, Ph.D.: Public Lecture “Matrix City”, The Harriman Institute, Columbia University
 http://bbaa.umh.es/2013/12/05/actividad-artistica-y-academica-organizada-por-pilar-viviente-con-irene-caesar/ Irene Caesar, Public Lecture “Man-Sun: Wave Matrix in Art”, Universidad Miguel Hernández de Elche, Facultad de Bellas Artes, Campus de Altea, Altea, España, December 2013
 http://issuu.com/umhsapiens/docs/sapiens5issu04-04__1_/1?e=7056616%2F7393729 Pilar Viviente, Ph.D., “Man-Sun, Naturaleza, cultura y comunidad”, UMH Sapiens Journal, Issue No. 5, pages 16-19, España, March 2014
 http://www.buergerstimme.com/Design2/2014-05/warum-ein-interview-mit-der-russischen-philosophin-irene-caesar/#prettyPhoto Alexander Gottwald: “Warum ein Interview mit der russischen Philosophin Irene Caesar?”, the Bürgerstimme Magazine, May 21, 2014
 http://cabindastruggle.files.wordpress.com/2014/07/black-people-must-be-definitely-co-masters-of-the-world.pdf Bartolomeu Capita, Chairman of the Cabindan National Movement,￼Black People must be definitely Co-masters of the World”, 2014
 http://cabindacitizenship.files.wordpress.com/2014/04/africa-should-stand-out-against-the-looming-wwiii.pdf Bartolomeu Capita, Chairman of the Cabindan National Movement, “Africa Should Stand Out Against World War”, 2014, p. 6
 Frank Huzur, Editor of the Socialist Factor Magazine, “Meet Irene Caesar, legendary Russian-American philosopher artist”, Socialist Factor Magazine, September 7, 2017: http://socialistfactor.in/2017/09/07/meet-irene-caesar-legendary-russian-american-philosopher-artist/
 Alexander Gottwald on Irene Caesar “Warum ein Interview mit der russischen Philosophin Irene Caesar?” in “Buerger Voice – Magazine for Changes”, Austria, May 21, 2014